Oh my god, Becky, look at the cover. This 1975 Honeywell cover is reminiscent of the classic Romek Marber Penguin covers that every designer has been, in recent years, reproducing like rabbits.
Archive for the ‘Design’ Category
I'm excited and honored to announce that we were recently published in one of the latest viction:ary publications entitled, Vectorism [...]
The work of Jamie Keenan has always reminded me of another one of my favorite book designers, Gray 318. Both designers seem to enjoy getting creative when they can utilize a wide variety of approaches while delivering bread & butter covers most l [...]
"I'm an artist pretending to be a designer" is the definition Network Osaka gives about himself. Involved in design, motion graphics and typography, his love for color, geometry and grid systems can be found in almost any piece of work he produces.
The Safe House is an architectural project by KWK PROMES. As the name suggests, it's a modern house which focuses on security, with movable parts and secret openings.
Atari was most likely hungry for large Christmas sales and eager to cash in on the franchise when they made their less-than-brilliant decision to give developer Howard Scott Warshaw six weeks to develop the game. The result was a game considered then [...]
Filled with colorful geometric forms, psychedelic compositions, and pop culture icons, Jorge Letona's work, although strange in its nature, is creative and intriguing.
It's not easy to identify a Paul Buckley cover. His style runs the gamut resulting in covers designed (or directed) to boldly stand out, or tastefully fit in.
In an industry focused on pixel-perfect, vector-precise, and sometimes even photorealistic design, Christian's work stands out for the quirky, organic style.
Love this gorgeous Scrabble set designed by BYU design grad, Andrew Capener. My only (minor) critique is that the birch exterior case doesn't entirely match the rest of the walnut pieces, but all is forgiven once you look at what's inside.
Like many, I first became familiar with the elusive Gray 318 through his covers for Jonathan Safran Foer. I remember being impressed by the hand lettering and the choice of bold colors. Since then, I've been on the prowl for Gray's covers.





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